This article proposes an analysis of the pilot episode of the television series The Handmaid's Tale, from the perspective of the Theory of Structural Analysis of the Narrative of Roland Barthes (2001). For this, we sought to recognize the units that make up the narrative structure of the episode individually, for its subsequent relationship with the different levels of depth. With an exploratory character and qualitative approach, the research started from a bibliographic review with deepening in the theory of analysis proposed by Roland Barthes, used as an instrument of analysis of the research object. Thus, we identified the distribution of the fundamental narrative elements for the construction of the serial narrative, organized in the form of frames. As a result, it was observed the importance of structure in the formation of the narrative, mainly audiovisual, to hold the attention and maintain the interest of the spectator.
BALOGH, Anna Maria. O discurso ficcional na TV: sedução e sonho em doses home-opáticas. São Paulo: Editora da Universidade de São Paulo, 2002.
BARTHES, Roland. Introdução à análise estrutural das narrativas. In: ______. A aventura semiológica. São Paulo: Martins Fontes, 2001. p. 103-152.
JOST, François. Do que as séries americanas são sintoma? Porto Alegre: Sulina, 2012.
MACHADO, Arlindo. A televisão levada a sério. 2. ed. São Paulo: Senac São Paulo, 2001.
MILLER, Bruce. The handmaid’s tale. Hulu, 2017.
SILVA, M. V. B. Cultura das séries: forma, contexto e consumo de ficção seriada na contemporaneidade. Galaxia (São Paulo, Online), n. 27, p. 241-252, jun. 2014. Disponível em: <http://www.scielo.br/pdf/gal/v14n27/20.pdf> Acesso em: 14 fev. 2020.
Copyright (c) 2023 Manoela de Oliveira Zabotti , Claudia Nandi Formentin
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Academic magazine linked to Communication courses and the Master's Program in Public Policy Management at the University of Vale do Itajaí (Univali).